Sunday, October 15, 2017
Did I have to deal with tactless dudes looking over my shoulder and crowding the shit out of me? That's par for the course. But let it be known that I hate dudes looking through the records that I'm flipping through. And I say "dudes" because it's literally never been a woman. They have more sense than that. Anyway, even that wasn't so bad this time around.
I was struggling to find any big gems, but I did happen across an old guy's table where he had a full section of fairly priced private-press stuff, a lot of which was from the NW. Ended up dumping the majority of my budget there, and ended up with some rare-ass DIY local records, which is becoming a hot part of my collection. Got some other stuff, too. Let's get into it.
Grabbed this LP/cassette combo package from one of the first dealers I happened upon and glad I did: It's a limited-to-300-copies pressing of one of Vile's earlier albums, hand-numbered on the back. Didn't even have this record, let alone the most rare version of it. Feeling good. Though do I keep the cassette with the record in my collection? That seems tough to pull off without some collateral denting. We'll see.
Private-press folk LP out of Grand Canyon. Arizona. My copy is autographed by the artist and producer (?) to a woman named Sue, who is a "fellow Oregonian." Producer mentions he is "late of Silverton." Vinyl's in hot shape. Here's a sample.
Couldn't pass this one up. The back cover is equally great. Private-press new-wave rock out of Pebble Beach, CA.
This was the last record I bought at the show. Original pressing, still in the shrink, insert inside. I've been known to get down with early Rancid.
One of those many Sonic Youth records that I've seen here and there over the years but never pulled the trigger on. This is a really nice copy - "clean," as they say.
You'll see a decent amount of World Class Wreckin' Cru records out in the wild, but not usually this one, at least not around these parts. My old pals from Boom Wow! Records (RIP, miss you every day) hooked me up with this one and this next one. They didn't have a ton of rap records with them this time around, but I was happy to find these. Early Dre that he used to be embarrassed about but now it all seems pretty sweet.
Another Wreckin' Cru disc, another entry into the unlikely history of N.W.A. Dr. Dre doesn't rap on this one, but he does do the drum programming. Yella's on the scratch. These are, somehow, the first Wreckin' Cru records I've ever purchased. Plenty more to go. I need to get back to Amoeba in LA, where they give these things out like candy.
Twin girls from Portland singing for Jesus. Notable: every song on here is an original, written and performed by the twins. No "Amazing Grace" bullshit.
Another NW couple singing about the ol' lord. These folks are from Vancouver, WA. Also all originals. This one's sealed.
Private-press gospel out of Cottage Grove. Can't find a lick of info about this one. All covers, for what that's worth.
Rare private-press female worship "xian" folk from the Oregon Coast (Gardiner, to be exact). Record is in amazing shape. Handwritten lyrics on the back. I love records like this. Wish there was a date, though!
Self-released first effort from this Portland band that would eventually go on to sign to A&M and then back to the indies again. I have another Johnny and The Distractions record in my collection, called Totally Distracted. This one will look real sweet next to it. Here's "Shoulder of the Road" from this self-titled LP. Real solid early-80's rock.
Private-press Portland/Tualatin folk/blues LP. Dude actually had two of these, but one had writing on the front that was not the signature of ol' Dennis there, so I went with the cleaner one. Record is in damn fine shape.
Private-press folk out of Eugene. Seems to be Gary's sole release. He sprung for the color cover!
Country music out of Vancouver, WA on the private-press tip. This one is sealed. I especially enjoy the NW self-released records that let you know on the cover that it is indeed the NW.
This is a crazy little LP compilation of some really disparate artists from Eugene and Springfield, Oregon, ranging from a 16-year-old hippie kid doing an instrumental guitar number about mushrooms to a 53-year-old lady tickling the ivories as she sings a heartfelt tribute to the Eugene area. This is exactly the kind of record I hope to find.
Singer/songwriter private-press LP out of mid-70s Portland. She's got another one, too, that seems a bit harder to find. Keeping my eyes peeled. This one: also sealed.
This was one of my bigger-ticket items for the day and I have no regrets. Private-press hair-metal EP out of Seattle with the title track, "One Nite Stand," "Twist of the Blade," and "The Edge of Wetness." Amazing. This music video for "Murder in a Tight White Dress" seals the deal. Oh, and speaking of sealed, this one is.
Not private press, but these dudes were based out of Portland at the time this was released. Sensitive, intricate folk. Full album here.
Seattle private-press folk from the late 70s. Photo of her on the back playing a fat stack of keyboards. This one looks fun. Oh and my copy's signed, too.
"Recorded live at Jordan's Alpine in Everett, Wash. December 28, 1977 thru January 1. 1978." Between the cover, that statement, and a written endorsement on the back cover from hydroplane racing legend Bill Muncey, I was fully in for this one. They're a cover band, and from the looks of some of the cuts, a party band at that. It was 1978. You better believe "Disco Inferno" is on here. But they also kick the whole thing off with a six-song Stevie Wonder medley. Decent recording and these dudes go for it. Feeling real good about this one.
If you fancy record album covers, you might recognize this one. I see it every once in a while, but never put together that the band was from Portland. Anyway, the one with the sandwich cover was Sand's first LP, put out by MGM. This one is their follow-up, and they put it out themselves. It includes a lyric sheet, an 8x10 promo photo, and a bumper sticker. All accounted for; all in great shape.
And that was it! Wish I would have found more rap records, but that's usually the case. Next up: Am I going to RSD Black Friday? Maybe! But honestly probably not.
Sunday, April 9, 2017
Not a bad day for it, either: it was raining sporadically but overall not wet and humid, ensuring that the b.o./cigarette reek trapped in ironic ponchos wasn't in danger of fully breaking free and engulfing the cramped Eagles Lodge in screaming ghosts of marinating vinyl-freak stink.
It was crowded as always, though, and I was a little taken aback to hear a dealer say he thought it was a little crazier than usual. Nah, dude: every time I go it's packed to the gills and I'm infinitely hip-to-hip with rows of dudes asking loudly about African Jazz. It's fine: it's part of it. But overall it ain't a relaxing experience. I was there for maybe an hour this time around, and that was solid: I blew through most of my budget early and then got pickier after that.
Ended up with a good mix of stuff. Here's what made its way home with me:
Baktabak issued hundreds of interview picture discs (and eventually CDs) in the 80's/90's, and none of them were ever "official," though they contained no music, so they really weren't bootlegs, either...I think that's how they got by. These Samantha Fox discs I got were not in the original die-cut Baktabak sleeves and they seem to have additional text on them, which makes me think these are boots of the original releases.
Makes sense: this is a record that begs to be booted. Either way I don't think I care too much; I got these for a good price and they look damn fine to me. Additional photos on the B-sides are equally cheeky. Apparently there is a Part III to this series, so I'll have to keep my eyes open and complete the trilogy here at some point.
This is an incredible record. Private-press out of Mercer Island, WA, in 1980; unlabeled clear vinyl with steamy, showering gals in the background. Kevin Wet himself on the back with Ziggy makeup and an earnest dedication of all songs to John Lennon. This was also reissued as a picture disc by a Canadian label, as was his second release, Hard Attack, which he originally released himself on Wet World Records while living in Portland in 1981, which means I'll be tracking that one down as well. Here is "The Dreamer."
Unabashed Deee-Lite fan over here. Listened to World Clique twice last week while doing dishes. When I ran across this it just made sense. Album version, extended version, instrumental versions. You know how it go.
12" single with a very Prince-y seven-minute extendo-jam version of "Drive Me Wild" and an album cut on the flip.
Vanity's first solo album, where she thanks Price on the inside but he's nowhere to be seen otherwise. Never heard this one. It's never been released on CD, which is odd. Also odd: I thought she left Prince's camp because his vibe was too filthy but this album has a song dedicated to a strap-on that found its way to the PMRC's Filthy Fifteen. Well I never!
Private-press funky jazz jams out of Texas that I could not pass up. Great cover and the liner notes further the intrigue: "This album marks the very beginning of Nightwynd as it is being released in the band's second official month of existence." Seems to be their only recording, but they are notably tight for a band that'd only been together that long. I love records like this. Also: I would wear the shit out of a Nightwynd T-shirt.
Private-press mid-80's pop-rock out of Colorado. My version is signed in red ballpoint by all members of the band, dedicated to a fan named Denise. Very strong Nu Shooz vibe here, and there's nothing wrong with that. Here's the video for "Young Boys" and here they are covering Missing Persons.
12" German Glitterhouse pressing of this bad boy, which was sealed until I just cracked it open to rip it, because apparently I don't have a few of these songs in the ol' library. Smelled really good when I opened it. This single is a good example of how not all Mudhoney b-side tracks ended up on March To Fuzz: The title track here, the alternate version of "Thorn," and the Billy Childish cover, "You Make Me Die," are all exclusive to this single.
Also sealed. Also the 12" German Glitterhouse version. This one's a good example of ALL tracks appearing on March to Fuzz.
When it comes to records I put on when I'm dicking around in my house, Larry Coryell has been in the top 5 for the past year. I picked up two more of his records at Night Owl, this being the first. It's a crazy, jamtastic free-ride of grooves from Larry and his gang of ruffians, and man: it is intense. I'm into it. Dude can play that guitar.
The copy of this one I picked up is in sweeeeet shape - still in the shrink and the vinyl looks like it hasn't seen much action. Haven't had a chance to listen to this one yet. No idea what it'll sound like, though dipping a toe tells me intricate as ever.
This may have been my purchase of the day. Private-press new-wave synth out of Kirkland, WA, recorded during '83-'86 and released shortly thereafter. VERY Flock of Seagulls with maybe a little bit of Gary Numan in there. too. Longest song on this thing is 2:46. Really couldn't be happier with this one. Though I am pissed that I can't find any clips online.
This is the UK pressing and oh boy was the guy who sold it to me excited to tell me about the extended (full) mix of "White Wedding" that appears on the B-side of this single. I humored him, then paid way too much for this. But it is in really sweet shape and I love a good 12" 45.
Wendy and Lisa, directly post-Prince. I've really been buying a lot of Prince-adjacent music lately. Never heard this one. They thank Prince on the inside.
I've had Ultravox on the brain lately. After watching the entirety of Live Aid and enjoying their performance immensely, I realized I didn't know much about them. Been talking with an older dude at work about them. Then I came across this LP as I was getting ready to leave Night Owl and brother: that's a sign. I snatched it up and bolted because I was beginning to sweat fairly heavily by that point.