The four years between Mr. Bungle releases seemed like an eternity. It got to the point where I had almost given up hope, and then there it was, listed on the "upcoming releases" board at my local record store. Or at least I think that's how I found about it. Somehow I knew it was coming out, because I bought it the day it was released. And I was excited. Giddy, even.
Oh, wait! I know what happened. My roommate at the time worked at the University of Oregon campus radio station, and they received a promo copy of what was to be the first single from the record, "Desert Search for Techno Allah." I remember sitting in the studio, mashing a pair of headphones against my ears, and hearing the song for the first time. While I wasn't exactly expecting a sequel to their debut, it definitely took me a minute to process. The chorus is "Qiyamat qiyamat a tawil'/Qiyamat qiyamat insan al kamel," which just confused the shit out of me. Still does.
So, I had heard that song, and knew they were taking things in a different direction. When I bought the CD, I ran home, put it in, heard the first minute of "Everyone I Went to High School With is Dead," and realized they were taking things in a completely different direction. My friends and I spent the next month listening to Disco Volante, probably annoying everyone with it, while also learning to love it. Or at least most of it.
This is Mr. Bungle's most difficult album (by far), and one that, like Faith No More's Angel Dust, completely destroyed the foundations upon which the band was built. It frustrated me at first, but after I spent hours, days, and months with it, it made perfect sense. I don't know exactly what I'm talking about, but Mr. Bungle has always struck me as a band that is constantly moving forward, and probably gets sick of their old shit quicker than most bands. And instead of easing into a new sound, especially after four years, they clearly felt the need to completely redefine themselves. It worked.
And while this album is highly experimental and crazy tedious in sections, there's still plenty of great vocal parts, great musical performances, and a handful of tracks that certainly qualify as actual "songs." Of course, there's also tracks that toe the line, like "Violenza Domestica" and "Phlegmatics," and "The Bends," which is the closest they've ever come to making an unlistenable song. You made your point, guys.
One of my all-time favorite Bungle tracks is the one that closes this album out, the messy mind-warp that is "Merry Go Bye Bye." It's bashing, blaring noise, sandwiched between some of the lightest, most beautiful melodies that the band ever put together. And the lyrics have always been some of my favorites. Observe:
We reached for an outside point of view
But it's out of touch with me and you
I feel I'm walking into suicide
But you'll be right there by my side
To beam my message into space as I die
Bring back the shame of the many for the few
Get on your knees and I'll be coming back to you
Bring back the pain of an inverse world for two
It keeps me coming back to you
That's good stuff. I went - with a group of other Bungle fans - to see the band on this tour, and it was mind-blowing. If I recall correctly, they played "Travolta" and "My Ass is On Fire" from the first album, and they were very different versions than the ones that they had recorded. Other than that, it was straight Volante and a cover of Loverboy's "Working for the Weekend" during the encore. At one point, the crowd started chanting "Girls of Porn! Girls of Porn!," and we all agreed that they were idiots. It was clear to us that the "Girls of Porn" Mr. Bungle was only a faint memory. And, honestly, watching them pull of the songs from this album live made me not care in the least. It was amazing. And yes, they were wearing masks.
I somehow scored an original copy of this LP in a record store some years back, and though it's got a promo notch in it and it's missing the bonus 7" that was originally included, I still treasure it. Apparently there's a hidden track in a "double groove" on it somewhere, but I've never been able to get it to work.